The media handoff

Trimmed media

Camera originals are big, and a grade only needs the frames the edit uses. Turn on Pack trimmed media and the .konform package carries just those frames plus handles. On import, Konformer reconstructs normal, online, gradeable media on the other side — same file names, same timecode, no quality loss.

What it can trim

Konformista is camera-format aware. It trims ProRes, long-GOP H.264/265, MXF, RED (.r3d), Blackmagic (.braw), image sequences (DPX/EXR), and WAV/BWF audio. Stills, graphics, and anything it can't safely trim ship whole — nothing is silently altered.

Handles

Handles run from none to 48 frames on each side; 12 is a sensible default. More handles mean more room for transition changes and retimes at the far end, at the cost of package size.

On the other side

The colorist opens the package with the free Konformer app. It reconstructs the trimmed clips as ordinary media files next to the package before the timeline imports, so everything relinks cleanly — in Resolve they behave like any other online clips, cross-platform.

When to leave it off

Skip trimming when the colorist is on the same storage and already has the originals, or when the far end needs whole camera files — to re-edit rather than just grade.

Konformista handoff dialog with the pack-trimmed-media option and handle settings.

The handoff options — trimmed media and handles.

For what survives the timeline conform itself, see the roundtrip comparison. For the rest of the handoff, see the docs.