The media handoff
Camera originals are big, and a grade only needs the frames the edit uses. Turn on Pack trimmed media and the .konform package carries just those frames plus handles. On import, Konformer reconstructs normal, online, gradeable media on the other side — same file names, same timecode, no quality loss.
Konformista is camera-format aware. It trims ProRes, long-GOP H.264/265, MXF, RED (.r3d), Blackmagic (.braw), image sequences (DPX/EXR), and WAV/BWF audio. Stills, graphics, and anything it can't safely trim ship whole — nothing is silently altered.
Handles run from none to 48 frames on each side; 12 is a sensible default. More handles mean more room for transition changes and retimes at the far end, at the cost of package size.
The colorist opens the package with the free Konformer app. It reconstructs the trimmed clips as ordinary media files next to the package before the timeline imports, so everything relinks cleanly — in Resolve they behave like any other online clips, cross-platform.
Skip trimming when the colorist is on the same storage and already has the originals, or when the far end needs whole camera files — to re-edit rather than just grade.
The handoff options — trimmed media and handles.
For what survives the timeline conform itself, see the roundtrip comparison. For the rest of the handoff, see the docs.